Future Project on Colombia
The UN’s Universal Declaration on Human
Rights states that the loss of one’s freedom of movement is a human
rights violation. I experienced this first-hand while living in Bogotá.
Through a process of fear and intimidation, my freedom of movement was taken
from me in my own home by a member of the paramilitary forces. This
process included, but is not limited to, an individual with a high-powered
machine gun waving the point of a red laser light on my apartment wall to
get my attention. Later, this individual would zero in on a 9”
by 12” print of Frida Kahlo I had on my wall. He would leave the
point of the red laser right between Frida’s eyes for about 30 minutes.
I am guessing because Frida was a communist. Frida’s political
affiliations have nothing to do with why I like her art.
It is difficult to explain my coping methods other
than to say I must have been in some sort of denial. I was convinced
this individual was only trying to scare me into leaving. Otherwise,
why did he not fire off a shot? Eventually I did leave six months shy
of my two year teaching contract. As my scholar consultant Dr. Sanchez
writes in Violence in Colombia:
Walking on the streets or hailing a taxi are high risk activities… the
streets have become landscapes of fear… fear of terrorists, fear of
thieves, fear of neighbors, fear of security guards, fear of beggars, and
even fear of the victims of violence stretched out on the streets.
Not only has fear become a collective experience, so too has the pain expressed
by loved ones, which we call mourning. How many burials of relatives,
neighbors, school friends, colleagues or fellow political members, caused
by violence, has each Colombian attended in the last ten years? And
how many times in the intimate experience of these overwhelming episodes have
we passed from the pain of the funeral march to rage, and then impotence (VIC
15)?
Upon my return from Colombia, I could not forget
the stories I heard and my own personal experiences. The absolute strength
and dignity of the Colombian people are something I will never forget. I
began exploring ways to get the word out on Colombia. I decided the
best way was through the medium of film. This in turn led me to research
funding sources, organize a talented crew, and gain experience in the documentary
filmmaking world. In my three year quest for funding, I produced, directed,
and wrote a short documentary that premiered in the LALIFF in the summer of
2003. I have taken classes at college in film production. I volunteer
at the International Documentary Association. I have participated in
numerous workshops on filmmaking and grant writing. Marlene Dermer was
a speaker at a few of these workshops. I have heeded all her advice.
Ms. Dermer is the one who told me to build a website and join IDA.
This feature length documentary will be an exploration
on how the internal conflict, including the war on drugs, has affected the
rich culture and everyday life in Colombia. Given the chance, I believe
with the crew I have assembled and the advice of Mr. Olmos, along with my
scholar consultants, we can make a documentary that audiences around the world
will want to see. Bringing social awareness about the plight of the Colombian
people to our audiences could possibly result in change. I will not
stop in my quest until someone “shows me the money” to make this
film.
The Center for Independent Documentary have agreed
to be my fiscal sponsors. They have 501 (c) non-profit status.
Any contributions for this documentary are tax deductible. For more
information on the project or how to contact my fiscal sponsors please
email me.
Thank you in advance for your interest in this project.
Mary Cuevas
marycuevas@earthlink.net